MGM+ Unveils First Look at Kit Harington in 'A Tale of Two Cities' Series
MGM+ released the first images from its upcoming Charles Dickens adaptation, 'A Tale of Two Cities.' The series stars 'Game of Thrones' alumnus Kit Harington in a major return to prestige television.

First Glimpse of Dickens' Revolution
MGM+ has offered the first public look at its upcoming adaptation of Charles Dickens' classic novel, A Tale of Two Cities, releasing two images featuring series leads Kit Harington and Mirren Mack. The stills depict the actors in period attire, set against muted, atmospheric backdrops suggestive of the story’s turbulent settings in London and Paris during the French Revolution. In one image, Harington stands alone in a somber, wood-paneled room, while the other shows him alongside Mack in an outdoor scene. The visuals suggest a production focused on historical texture and psychological drama, eschewing vibrant colors for a more grounded, serious tone.
The project places Harington, known globally for his role as Jon Snow in HBO’s Game of Thrones, in the complex dual roles of Sydney Carton and Charles Darnay. He is joined by Scottish actress Mirren Mack, whose credits include the BBC drama The Nest and Netflix’s The Witcher: Blood Origin, as the story's heroine, Lucie Manette. The series is one of the flagship commissions for MGM+, the Amazon-owned premium network formerly known as Epix, as it continues to build out a slate of original programming aimed at adult audiences.
While a release date has not yet been announced, the debut of official imagery indicates that the series has completed a significant portion of production and that a marketing campaign is likely to begin in the coming months. The project is helmed by showrunner Lydia Adetunji, whose writing credits include the crime series Giri/Haji. This choice of leadership signals an intent to frame the classic story through a contemporary lens, focusing on the character-driven elements that have made the novel endure for over 160 years.
Harington Beyond the Wall
The series represents a pivotal career moment for Kit Harington, who has been selectively navigating his professional life since Game of Thrones concluded in 2019. After a decade portraying one of television’s most recognizable characters, this leading role in a prestige literary adaptation offers him a distinct opportunity to redefine his on-screen persona. It is a classical part, far removed from the fantasy heroics of Westeros, and one that requires portraying two characters who are physically identical but temperamentally opposite: the noble French exile Charles Darnay and his doppelgänger, the dissolute English barrister Sydney Carton.
Harington’s post-Thrones work has been varied. He took on a superhero role as Dane Whitman in Marvel's Eternals, a film that received a mixed critical and commercial reception. He also returned to the stage, earning praise for his lead performance in a modern-dress production of Henry V at London's Donmar Warehouse. This move to a Dickens adaptation aligns with the career path of many British actors who build their careers by alternating between large-scale commercial projects and foundational roles from the literary and theatrical canon. For Harington, it is a significant return to series television in a role that promises dramatic complexity.
Successfully embodying both Darnay and Carton will be a considerable test of his versatility. The dual role is central to the novel's themes of sacrifice, resurrection, and identity. The commercial and critical performance of A Tale of Two Cities will likely influence Harington's future trajectory and demonstrate his ability to anchor a major dramatic series outside the franchise that made him a household name.
The Challenge of a Literary Classic
Adapting Charles Dickens for a modern television audience is a recurring challenge that has been met with varying degrees of success. His novels are known for their sprawling casts, intricate subplots, and social commentary, elements that can be difficult to translate to the screen without feeling either rushed or plodding. A Tale of Two Cities, while more narratively focused than some of his other works like Bleak House or Our Mutual Friend, still presents a significant structural task for any writing team.
Recent years have seen several high-profile attempts to re-imagine Dickens. Steven Knight’s moody and revisionist takes on A Christmas Carol and Great Expectations for FX and the BBC, for example, leaned into a darker, more psychologically intense interpretation of the source material. These productions demonstrated an appetite for adaptations that engage with the grit and grime of the Victorian era rather than simply its picturesque qualities. The initial images from the MGM+ series, with their somber lighting and stark aesthetic, suggest it may be following a similar path.
The involvement of Adetunji as showrunner, alongside writer James Graham (Sherwood), suggests the creative team is well-equipped to navigate this terrain. The ultimate success of the series will depend on its ability to make the moral and political struggles of the 18th century feel immediate and relevant to viewers in the 21st. It must capture the epic sweep of the French Revolution while remaining grounded in the personal sacrifices of its central characters, a balance that has defined the most successful Dickens adaptations of the past.
MGM+'s Play for Prestige Drama
The commissioning of A Tale of Two Cities is a clear indicator of MGM+'s content strategy under the ownership of Amazon. Rather than competing directly with the volume of Netflix or the IP-driven tentpoles of Disney+, MGM+ appears to be carving out a niche with prestige historical and adult-oriented dramas. This series fits neatly alongside other originals on the service, such as the crime drama Godfather of Harlem and the historical soap Belgravia.
This approach often involves international co-productions, which help to finance ambitious projects and provide access to a global talent pool. While specific production partners for A Tale of Two Cities have not been detailed, it follows a well-established model for premium cable networks and streamers looking to produce high-quality period content efficiently. By adapting a well-known, public-domain novel, the network also taps into a preexisting awareness that can help a new series cut through a crowded market.
For MGM+, this series is more than just another title; it is a statement of intent. Securing a star with the global recognition of Kit Harington for a classic literary role signals an ambition to be a destination for serious, A-list drama. As the streaming wars evolve, success for mid-sized platforms like MGM+ may depend on their ability to cultivate a clear brand identity. A well-executed, star-driven adaptation of a beloved classic is a significant step toward solidifying that identity and attracting subscribers seeking an alternative to genre fare and broad-appeal sitcoms.
